Browse Items (86 total)

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Robert Cormier writes to a class about how a character's development follows inevitable paths. He also addresses how the sequel to The Chocolate War aims to address readers' questions. Cormier later discusses the dangers of precautionary…

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Cormier responds to Art's concerns about the Salem censorship battle by describing the Panama City censorship of I Am the Cheese. The idea of protecting children through censorship and precautionary censorship makes up a large portion of the letter.

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This draft describes how Cormier shared a draft of The Chocolate War with his 15-year-old daughter to test Fabio Coen's idea that the excised chapter is unnecessary to the story. He then expresses his thanks for his network of supporters and family.

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Robert Cormier shares his advice to writers to keep writing through their distractions and despite multiple commitments in their lives.

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Robert Cormier provides four bulleted points on his thoughts on censorship. These are frequently included in his letters to fans and objectors who write to him on censorship. He later added a fifth point addressing his distaste for defending his…

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Cormier describes how the source of fear is not in monsters on the screen or in books but those in our minds. He also describes a mother reading his novels along with her eighth-grade son.

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Cormier's talk on fear delivered at New York University discusses the nature of fear and how fear comes from within and not from movies and books. He talks about how fear is in the commonplace facts and experiences of life and not in the fantastic.…

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Assorted draft pages of Cormier's chapter on censorship later included in his essay "A Book Is Not a House: The Human Side of Censorship."

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Joseph Sepesy's term paper for Dr. Gary Salvner's Spring 1988 Adolescent Literature course at Youngstown State University is largely an analysis of Jerry's character.

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Cormier describes how Jerry was his most significant challenge in writing Beyond the Chocolate War. He also talks about his tentative work on a potential third novel.

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Debbie Denzer shares her story of being fired for sharing a book about witchcraft with a student writing a paper on the topic. She admits her own disappointment in herself for previously dodging teaching Cormier's book for fear of falling into…

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Cormier discusses his feelings of helplessness in censorship battles. He also expresses his admiration for the teachers and librarians who support his writing and share it with young readers.

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Black and white image of Robert Cormier working at home.

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Cormier explains why he writes novels with "downbeat endings" and the place they have in the world.

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Fones writes to Cormier concerned that the suicide scene in Beyond the Chocolate War could be damaging to teenagers.
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